"Ol' Smokey Bastard" |
I came up with this concept while reading the press release for Southern Charred back in November. I've wanted to photograph smoke for some time now and this was a perfect opportunity. I knew this would be a composite shot and I would need the following:
- Surface shot
- Left & right edge shot
- Label and cork shot
- Smoke shots
Table Setup:
The shooting table was made up of a couple of sawhorses and some weathered boards. I lined the sawhorses with black Cinefoil...a flue of sorts to contain the smoke.
I taped a couple of incense sticks to a small mic stand and placed it between the sawhorses.
I taped underneath the boards except for a small gap which allowed the smoke to rise through the crack.
Lighting Setup:
A studio strobe with 20 degree grid was placed behind the table and low to the surface in an effort to reveal some texture. Note: overhead light in these setup shots was not used in the final image, just there to show you the setup.
Result of the surface light.
I used a 10" x 36" stripbox for edge lighting.
Result of the right edge.
I moved the stripbox to the left.
Result of the left edge.
To light the label and cork I used an overhead light with 10 degree grid.
Result of overhead lighting.
To capture the smoke I placed a strobe with 10 degree grid inline with the bottle. I lit the incense and waited for the smoke to rise through the crack. I triggered the camera with a wired remote and captured an insane amount of images. From time to time I would fan the smoke to manipulate the pattern.
I selected these four shots to include in the final image.
I assembled these individual shots in Photoshop by using layers, masks and blending modes. I used Google Nik Collection plugin to dodge and burn, add contrast and bring out some of the texture in the surface.
Voila...the final image.
Result of the surface light.
I used a 10" x 36" stripbox for edge lighting.
Result of the right edge.
I moved the stripbox to the left.
Result of the left edge.
To light the label and cork I used an overhead light with 10 degree grid.
Result of overhead lighting.
To capture the smoke I placed a strobe with 10 degree grid inline with the bottle. I lit the incense and waited for the smoke to rise through the crack. I triggered the camera with a wired remote and captured an insane amount of images. From time to time I would fan the smoke to manipulate the pattern.
I selected these four shots to include in the final image.
I assembled these individual shots in Photoshop by using layers, masks and blending modes. I used Google Nik Collection plugin to dodge and burn, add contrast and bring out some of the texture in the surface.
Voila...the final image.
Great simple solution to guide the smoke by taping the bottom of the boards. So many times on a shoot it is those simple solutions that is hard to think of.
ReplyDelete